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Summer 18 Issue
Isaiah Berlin and the Holocaust
When Isaiah Berlin left Oxford in July 1940 he was single – “inépousable” according to his future mother-in-law – a relatively unknown philosophy don, prone to dark moods. While…
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Mothering Art And Babies
In a review of Sheila Heti’s recently published novel Motherhood for The New Yorker, Alexandra Schwartz took a moment to consider the ways in which writing is “threatened” by…
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Bodies Visible and Invisible
This essay began in 2002 when we were in Thessaloniki for a conference at the Aristotle University on the cultural history of the body. Hesse’s mother, a child of the region’s…
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The Underwater Cabaret – An Introduction
My father, Curt David Bloch, was a smartass. But that wasn’t the reason he lost his first job when he was 25 years old. He was fired in 1933 when, overnight, it became illegal for…
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Son Of War
I am sitting in the chair reading, and hear a group of people talking on the street. A woman enquires whether anything is known about the family living at number 30. “They were…
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My Friend Philip
Since the first slices of Portnoy’s Complaint appeared in the 1967 issue of "New American Review" – I was then an Orthodox teenager searching for escape - but later, too, even in…
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Man and Momentum
Jon Lansman, Momentum founder and a newly elected member of the Labour Party’s National Executive Committee, and D.D. Guttenplan, JQ editor, began talking politics when they first…
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Hamud-Helou: The Sweet and Sour Art of Michael Rakovitz
We’ve surpassed ourselves this time,” said London mayor Sadiq Khan at the unveiling of the latest sculpture for the Fourth Plinth in Trafalgar Square earlier this year. And it’s…
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